Picture Credit: Rediff.com
If you grew up in the 2000s, you are no stranger to the iconic Hindi soap opera Kyunki Saas Bhi Kabhi Bahu Thi (KSBKBT). The show was immensely popular during its run, breaking multiple records, turning its actors and characters into household names, and even sparking protests when the main character was killed off. KSBKBT premiered in 2000 and was produced by Ekta Kapoor under her banner, Balaji Telefilms.
The show brought a wave of change to Indian television, which until then followed very different formats. It was both praised and criticized. On one hand, it united families at the dinner table, imparting Indian values and presenting gripping stories considered revolutionary for that era. On the other hand, it often reinforced regressive mindsets about women’s roles, highlighted negativity and household conflicts, and introduced highly illogical storylines.
Regardless, Kyunki Saas Bhi Kabhi Bahu Thi is still celebrated as one of the biggest shows in Indian television history. Characters like Tulsi, Mihir, Baa, Tripti, Mandira, Gautam, Ansh, Karan, and Nandini remain iconic to this day.
The show ended in 2008 due to declining TRPs, but its legacy remains unmatched. Now, after 17 years, it has made a comeback in 2025 with a second season, bringing back fan-favorites Tulsi and Mihir, portrayed once again by Smriti Irani and Amar Upadhyay. Other returning actors include Kamalika Guha Thakurta as Gayatri, Ketaki Dave as Daksha, Hiten Tejwani as Karan, Gauri Pradhan Tejwani as Nandini, Ritu Chaudhary as Shobha, and Shakti Anand as Hemant. The new generation of the cast includes Rohit Suchanti as Angad, Aman Gandhi as Hrithik, Shagun Sharma as Pari, Tanisha Mehta as Vrinda, Barkha Bisht as Noina, among others.
According to producer Ekta Kapoor, the sequel is designed to be a finite series, avoiding unnecessary dragging and focusing on real social issues rather than chasing TRPs with melodrama. Still, given the history of Indian television, it remains to be seen whether this promise holds.
Season 2 now revolves around Tulsi and Mihir raising their three adopted children—Angad, Pari, and Hrithik (the kids of Tulsi’s sister Kesar)—while also managing the Virani household, Shanti Niketan. The show opened strongly, launching with a rating of 2.5 and competing neck-to-neck with another popular show, Anupama. It has consistently maintained a position in the top five since its premiere.
My Opinion:
Kyunki Saas Bhi Kabhi Bahu Thi was an interesting show. Although I don’t remember much of its original run (as I was just a kid), I do recall how popular it was. Much like today’s debates about being Team Conrad or Team Jeremiah, or Team Paxton or Team Ben, people once argued about whether Tulsi would expose Mandira, if Mihir would return from the dead, or who killed Savita. That kind of frenzy is hard to recreate today, as younger audiences, shaped by OTT platforms and international shows, are less interested in dramatic serials filled with repetitive scenes, multiple transitions, and loud background music.
I began watching the reboot because of the hype, and honestly, the first few episodes didn’t disappoint. The production quality was strong, the acting solid, and the story intriguing. But as episodes progressed, the plot began losing balance, with too many subplots introduced at once.
Having multiple storylines is not inherently a problem—in fact, it can enrich a show if done well. A great example is Ekta Kapoor’s Pavitra Rishta. While it centered on Manav and Archana, it also wove in side plots—Varsha and Satish’s marriage, Savita and Sulochana’s fights, Manjusha’s schemes, Dharmesh’s plans, DK and Aasna’s family, Arjun-Purvi-Ovi’s triangle, and Soham’s arc. Every subplot ultimately tied back to the main couple, creating balance.
In contrast, KSBKBT 2 struggles with this balance. While Tulsi and Mihir’s marriage and children are central, the side plots feel disconnected. Noina’s one-sided love for Mihir, Angad and Vrinda’s romance, Pari’s endless schemes, Hrithik and Munni’s secret love story, Gayatri brainwashing Hemant, and Karan-Nandini’s marital issues all feel unevenly executed. Angad and Vrinda, supposedly a key couple, appear only once every few episodes with minimal screen time. Hrithik and Munni fare even worse. Nandini’s story is told solely from her perspective since Karan is rarely shown—likely due to Hiten Tejwani’s other commitments. And Gayatri’s scheming against Hemant seems illogical.
The show has largely centered around Pari, focusing on her affair with Ranvijay, her marriage to Ajay, and her manipulative schemes. This has made her character unlikeable and overshadowed other arcs. Moreover, the plot itself is shaky: Pari marries Ajay from a conservative family to prove she’s moved on from Ranvijay, but continues meeting Ranvijay secretly for money. Whenever Tulsi or Nandini confronts her, she resorts to the same tired argument about not being Tulsi’s real daughter.
Meanwhile, Noina is portrayed as Mihir’s college friend who secretly loves him but doesn’t want to break his marriage. Mihir, however, is shown as arrogant and dismissive—constantly blaming Tulsi for Pari’s behavior, confusing Noina with mixed signals, and making decisions without others’ consent (like arranging Noina’s marriage to Vikram or forcing Pari’s marriage to Ajay). He even treats Angad and Hrithik harshly. Has Mihir always been this way, or is this just how the writers imagine him at this age?
Speaking of age, the timeline is hilariously confusing. The original show spanned eight years with multiple leaps, covering nearly 51 years in-story. Adding the 17-year gap, Mihir and Tulsi should technically be about 95 years old—but they look no older than 50. Pari is shown as 24, even though her parents would be nearing a century. By that logic, Daksha and Gayatri should be around 120!
Of course, looking for logic in a soap opera is a losing battle. Leaving that aside, the show is still somewhat entertaining, though uneven. Fans have also criticized the frequent use of Smriti Irani’s body double despite her reported fee of 14 lakhs per episode. Since it marks her return to acting after years in politics, her performance sometimes feels exaggerated, as does Rohit Suchanti’s as Angad. On the brighter side, Gauri Pradhan Tejwani and Barkha Bisht are excellent, while Tanisha Mehta impresses in her debut with her natural Marathi flair—she even reminds me of Purvi from Pavitra Rishta. However, Mehta and Suchanti’s chemistry needs more screen time to truly shine.
These are my impressions of Kyunki Saas Bhi Kabhi Bahu Thi 2. The show has potential and has already made a mark with its strong opening, but whether it can recapture the magic of the original—or sustain balanced storytelling—remains to be seen.